Art Ponce

By Dan Segar | Pretentiousness, confusion and obscurity for self-proclaimed hipsters.

cincylibrary:

Caribou or American rein-deer, Plate 126 from John Jame’s Audubon’s The viviparous quadrupeds of North America v.02, 1847.

vanschaaijk:oil on linen  100-120 cm  october 2017

oil on linen 100-120 cm october 2017

nobrashfestivity:

thunderstruck9:Edward Wadsworth (British, 1889-1949), Convoy, 1941. Tempera on canvas mounted on panel, 38 x 53.5 cm

Edward Wadsworth (British, 1889-1949), <i>Convoy</i>, 1941. Tempera on canvas mounted on panel, 38 x 53.5 cm.

foolingthesilence:

Frank Stella<p>Star of Persia II, 1967.

nobrashfestivity:

nebulously-burnished:

The Teletrips of Alala<br>Illustrated by Nicole Claveloux<br>1970<p>Looks like Peter Max

life-imitates-art-far-more:

Edmund Leighton (1852-1922)<br>“God Speed!”<br>Oil on canvas<br>Currently in a private collection<p>The woman depicted is tying a red sash around the knight’s arm, which he is meant to return, a medieval custom which assured both parties that they would be reunited, alive, and well.

3 Awabi (Abalone) Divers by Utamaro (ca. 1790) 

<b>3 Awabi (Abalone) Divers by Utamaro (ca. 1790)</b>

nobrashfestivity:Le Corbusier, Still Life

<b>Le Corbusier</b>, <i>Still Life</i>

terminusantequem:

Julius Woeltz (American, 1911-1956), Windows, 1935. Oil on canvas, 32 x 25 ¾ in.

thunderstruck9:Maxfield Parrish (American, 1870-1966), Peaceful Valley (Homestead), 1952. Oil on panel, 58.4 x 47 cm

Maxfield Parrish (American, 1870-1966), <i>Peaceful Valley (Homestead)</i>, 1952. Oil on panel, 58.4 x 47 cm.

artist-cardoso:

Medium: oil

topcat77:

Francis Bacon<p>Landscape, South of France, 1952

grandegyptianmuseum:

Statue of the God Horus as a Falcon (basalt, 52 x 48.5 x 18.7 cms). Ptolemaic Period, ca. 305-30 BC. Now in the Art Institute of Chicago, Illinois.

design-is-fine:Julio Le Parc, Four plate from La Longue Marche, 1974. Published by Denise René, Paris. Via Skinner

Julio Le Parc, Four plate from La Longue Marche, 1974. Published by Denise René, Paris. Via Skinner.

Night drawings, Ariel Davis (because)

My little ghost, Kotaro Chiba

inevitablefragments:

Ellsworth Kelly - <i>Orange White</i> (1963)

SASSETTAMarriage of St Francis to Lady Poverty1437-44Panel, 88 x 52 cmMusée Condé, Chantilly

<b>SASSETTA</b><br>Marriage of St Francis to Lady Poverty<br>1437-44<br>Panel, 88 x 52 cm<br>Musée Condé, Chantilly

Charles S. Anderson

brudesworld:

<i>Silver and Gold by William Russell Flint, 1930</i>

pagewoman:

<i>Chickens in a winter garden 🐔</i><p><i>by Lucy Grossmith</i>

dailyrothko:

<b>Mark Rothko</b>, <i>green over blue</i>, 1956

artist-davinci:

Size: 177x151 cm<br>Medium: oil, panel, tempera

Very interesting, where?

Very interesting, where?

The Penitent (1876)

The Penitent (1876). William A. Bouguereau (French, 1825-1905). Oil on canvas. Laing Art Gallery.<p>Gold jewellery indicates this woman’s former life of worldly pleasure. Her black robes show the religious way of life she has since taken up. The image was probably meant to suggest Mary Magdalene, who was the best-known penitent woman for Victorian viewers. According to the Bible, she repented of her previous immoral way of life, and was with Jesus when he died on the cross.