The Wonderful World of Danceflipped into The Wonderful World of Dance14 hours agoThe business of making the performing arts viablenewsroom.co.nz - Marc DaalderThe science of making performing arts viable Dance and theatre organisations are going digital and switching up their business approach to ensure …
The Wonderful World of Danceflipped into The Wonderful World of Dance2 days agoReview: Finding a Collective Groove in Church and in House Danceverified_publisherThe New York Times - Gia Kourlas“In the beginning, God had a groove. And from that groove came the groove of all grooves.” Those lines, spoken by Reverend CJ (Carl Robinson Jr.) in a new dance by the choreographer Rennie Harris, refer to the opening of a classic house song, “Can You Feel It” by Mr. Fingers (Larry Heard): “In the …
The Wonderful World of Danceflipped into The Wonderful World of Dance2 days agoDisability Dance Drama ‘Grace’ in the Works at Disney (Exclusive)verified_publisherhollywoodreporter.com - Mia GaluppoGrammy nominee Freddy Wexler is behind the project, along with actress Kiera Allen and dancer Chelsie Hill. Walt Disney Pictures is developing the …
The Wonderful World of Danceflipped into The Wonderful World of Dance2 days agoRussian bombing kills ballerina and student - Slippediscslippedisc.com - norman lebrechtIt is reported in Donetsk that the ballerina and teacher, Galina Vasilyevna Volodina, and her student, Katya Kutubaeva, 12, were among those killed …
The Wonderful World of Danceflipped into The Wonderful World of Dance2 days ago10 Questions: A dancer with dreams: Muratori created Napa nonprofit dance companynapavalleyregister.com - Jennifer HuffmanJennifer Huffman Jacqi Muratori, owner-director of NV Dance Company, said she started dancing at the age of 3 “and fell in love with it.” In 2019 she …
The Wonderful World of Danceflipped into The Wonderful World of Dance2 days agoKyle Abraham on Transcending Time and Finding Lightness in Requiemverified_publisherVanity Fair - Rebecca BengalConsider Mozart’s Requiem in D Minor, unfinished by the composer at the time of his death in 1791, as a deliberate incomplete sentence, a poetic invitation open to reinterpretation over the ensuing 231 years. Its latest evolution takes shape in the hands of choreographer Kyle Abraham, whose …
