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Pink Floyd: The Endless River review – ‘a good way to call it a day’

Pink Floyd: The Endless River review – ‘a good way to call it a day’

The Guardian - Molloy Woodcraft

By the time Pink Floyd’s The Final Cut, Roger Waters’s “Requiem for the Postwar Dream”, came out in 1983, relations between him and the rest of the group were terrible – keyboard player Rick Wright had even been kicked out and rehired on a salary, for live shows only, at Waters’s insistence. So …

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